Deborah Levy - book author
Deborah Levy trained at Dartington College of Arts leaving in 1981 to write a number of plays, highly acclaimed for their "intellectual rigour, poetic fantasy and visual imagination", including PAX, HERESIES for the Royal Shakespeare Company, CLAM, CALL BLUE JANE, SHINY NYLON, HONEY BABY MIDDLE ENGLAND, PUSHING THE PRINCE INTO DENMARK and MACBETH-FALSE MEMORIES, some of which are published in LEVY: PLAYS 1 (Methuen)
Deborah wrote and published her first novel BEAUTIFUL MUTANTS (Vintage), when she was 27 years old. The experience of not having to give her words to a director, actors and designer to interpret, was so exhilarating, she wrote a few more. These include, SWALLOWING GEOGRAPHY, THE UNLOVED (Vintage) and BILLY and GIRL (Bloomsbury). She has always written across a number of art forms (see Bookworks and Collaborations with visual artists) and was Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991.
Deborah Levy is the author of books: Hot Milk, Swimming Home, The Cost of Living: A Working Autobiography, The Man Who Saw Everything, Things I Don't Want to Know, Black Vodka: Ten Stories, Billy and Girl, The Unloved, Beautiful Mutants, An Amorous Discourse in the Suburbs of Hell
To strip the wallpaper off the fairy tale of The Family House in which the comfort and happiness of men and children has been the priority is to find behind it an unthanked, unloved, neglected, exhausted woman.
The Cost of Living explores the subtle erasure of women's names, spaces, and stories in the modern everyday. In this “living autobiography” infused with warmth and humor, Deborah Levy critiques the roles that society assigns to us, and reflects on the politics of breaking with the usual gendered rituals. What does it cost a woman to unsettle old boundaries and collapse the social hierarchies that make her a minor character in a world not arranged to her advantage?
Levy draws on her own experience of attempting to live with pleasure, value, and meaning--the making of a new kind of family home, the challenges of her mother's death--and those of women she meets in everyday life, from a young female traveler reading in a bar who suppresses her own words while she deflects an older man's advances, to a particularly brilliant student, to a kindly and ruthless octogenarian bookseller who offers the author a place to write at a difficult time in her life. The Cost of Living is urgent, essential reading, a crystalline manifesto for turbulent times.
The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,
"Here." He gives the photograph to the perfect flawless woman without looking at it, by way of apology. When everyone gathers around Luciana to admire it, Gustav clicks again.
The unloved look brave.
The unloved look heavier than the loved. Their eyes are sadder but their thoughts are clearer. They are not concerned with pleasing or affirming their loved one's point of view.
The unloved look preoccupied.
The unloved look impatient.
A group of hedonistic tourists--from Algeria, England, Poland, Germany, Italy, France, and America--gathers to celebrate the holidays in a remote French chateau. Then a woman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death, however, proves to be more of an investigation into the nature of identity, love, insatiable rage, and sadistic desire. The Unloved offers a bold and revealing look at some of the events that shaped European and African history, and the perils of a future founded on concealed truth.
Man Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this passionate work of dramatic poetry.
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company. Her most recent novel, Swimming Home (2011 And Other Stories, UK publication, and 2012 Bloomsbury US publication), was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards (UK Author of the Year) and 2013 Jewish Quarterly Wingate Prize, while her most recent collection of short stories, Black Vodka: ten stories, was shortlisted for the Frank O'Connor International Short Story Award and its title story "Black Vodka" shortlisted for the 2012 BBC International Short Story Award. An Amorous Discourse in the Suburbs of Hell was first published in 1990 in the United Kingdom and appears now in a new edition, its first US edition.